Southern Lord is proud to be chosen to reissue SCREAM’s everlasting No More Censorship album. The band found the original multi-track tapes and Southern Lord had them baked/prepped for a remix at Scream drummer Dave Grohl’s 606 Studio. The new mix sounds vital and intense; the entire packaging, layout, and design is completely different from the original, with the inclusion of photos, lyrics, poetry, and other personal writings from the band during that era, collected in an extensive booklet.
The reissue is dedicated to the influential photographer Naomi Petersen who was instrumental in ensuring that the original No More Censorship master tapes survived. As a long-time friend of the band, Naomi has captured many memorable images of an era, including countless SST bands and SCREAM. Years after their first encounter, Naomi found the original tapes gathering dust, and passed them onto Pete Stahl before they perished. SCREAM saw this as a second chance to put the record out. The way they always wanted. Subsequently, Southern Lord had the tapes baked and prepped for a remix at Dave Grohl’s 606 Studio.
This new mix sounds vital and intense; the entire packaging, layout, and design is completely different from the original, with the inclusion of photos, lyrics, poetry, and other personal writings from the band during that era, collected in an extensive booklet.
There is another side to the story of this album of course, and deep-rooted reasons for bringing it to life again. As Pete Stahl explains, “This record was written and recorded during Reagan’s presidency. US foreign policy was being disruptive in Central and Latin America, Iran-Contra… Art and music was being censored. Ed Meese, Ronald’s Attorney General was appointed to do a report on the effect of pornography on society. Hearings were held in Congress about lyrics and albums, and warnings were placed on album covers. One bitter example being Dead Kennedys, who were taken to court over the Frankenchirst album’s Geiger poster. SCREAM raised money to help in the Dead Kennedys court battle, and more widely participated in benefits to raise money to fight this oppression. So much of what was going on then is still so relevant today. History repeats.”
Franz Stahl continues, “Activism and artivism was always very much a part of the SCREAM vernacular and a driving force behind the band’s music and attitude in the ’80s. As SCREAM brought the re-envisioned remix to the contemporary they also wanted the new artwork to parallel those ideas and update it to the present. Inspired by Ai Weiweii, the Chinese contemporary artist, and activist, famously known for his own serious struggles with censorship. The CD and vinyl covers are each unique, but both were created in the spirit of one of Weiewei’s own exhibits, and our idea, limiting or censoring information. Leaving only an acronym for the original title and a number for the year we did the remix (NMC17).”